Norman Scott's 'You've Got a Friend' came out on 1996. With this song being about 5 minutes long, at 4:50, "You've Got a Friend" by Norman Scott is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Norman Scott's "Harmonica Gold" album is number 5 out of 18. On top of that, Australia appears to be the country where this track was created. The popularity of You've Got a Friend is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of You've Got a Friend by Norman Scott to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Have I told you lately I love you | Pepito Ros e A.M.P. | B♭ Major | 4 | 6B | 132 BPM | ||
Rigoletto, Act I: Act I: Ch'io gli parli (Monterone, Duke, Rigoletto, Borsa, Marullo, Ceprano, Courtiers) | Giuseppe Verdi, Richard Tucker, Norman Scott, Leonard Warren, Gabor Carelli, Clifford Harvuot, Lawrence Davidson, Maria Leone, George Cehanovsky, Metropolitan Opera Orchestra, Fausto Cleva | D♭ Major | 4 | 3B | 89 BPM | ||
The Rake's Progress, Act I: The Woods Are Green... | Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner | G Major | 1 | 9B | 99 BPM | ||
Aida: Nume, custode e vindice | Giuseppe Verdi, Enzo Felicitati, Oralia Dominguez, Maria Curtis Verna, Umberto Borso, Ettore Bastianini, Uberto Scaglioni, Norman Scott, Orchestra & Chorus of the Teatro La Fenice | B♭ Major | 4 | 6B | 83 BPM | ||
Unforgettable | Hal Baker Experience | G Minor | 2 | 6A | 83 BPM | ||
Aida: Danza delle sacerdotesse | Giuseppe Verdi, Enzo Felicitati, Oralia Dominguez, Maria Curtis Verna, Umberto Borso, Ettore Bastianini, Uberto Scaglioni, Norman Scott, Orchestra & Chorus of the Teatro La Fenice | F♯ Major | 2 | 2B | 89 BPM | ||
How Deep Is Your Love | Daisy James | E♭ Major | 4 | 5B | 108 BPM | ||
If You Leave Me Now | Piet Noordijk | C Major | 2 | 8B | 200 BPM | ||
Just The Way You Are | The Royal Sax Company | G Major | 3 | 9B | 137 BPM | ||
Mandy | Pepito Ros e A.M.P. | B♭ Major | 3 | 6B | 105 BPM |
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