David Livianu made "Faq 59. Why Should I Ear-Train and Sight-Sing With Solfege (Do, Re, Mi), Vs. the Alphabet (A, B, C), or Should I Learn Both Methods?" available on September 25, 2012. The duration of Faq 59. Why Should I Ear-Train and Sight-Sing With Solfege (Do, Re, Mi), Vs. the Alphabet (A, B, C), or Should I Learn Both Methods? is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Faq 59. Why Should I Ear-Train and Sight-Sing With Solfege (Do, Re, Mi), Vs. the Alphabet (A, B, C), or Should I Learn Both Methods?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Livianu's "I Learn Perfect Pitch: Lesson 1 of 32: The Do Major / C Major Scale (Includes 60 Audio Faq's About Learning Musical Perfect Pitch, Ear Training, Sight Singing)" album is number 61 out of 77. In terms of popularity, Faq 59. Why Should I Ear-Train and Sight-Sing With Solfege (Do, Re, Mi), Vs. the Alphabet (A, B, C), or Should I Learn Both Methods? is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Faq 59. Why Should I Ear-Train and Sight-Sing With Solfege (Do, Re, Mi), Vs. the Alphabet (A, B, C), or Should I Learn Both Methods? by David Livianu to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roya | Menuchizy | D Major | 9 | 10B | 113 BPM | ||
At Dusk | Atmospheric Daft | B Minor | 4 | 10A | 110 BPM | ||
UKRAINE. Q.1.3. Can I Adopt from This Country? Yes, You Can! (Vol.9) | David Livianu | B Major | 3 | 1B | 70 BPM | ||
Esloqay | DRACO DJ WI | D♭ Minor | 3 | 12A | 85 BPM | ||
Teil 3 - Donner über der Wüste | Team Xtreme, Janni Schümann, Linn Reusse, Yoshi Grimm, Michael Peinkofer | D♭ Major | 3 | 3B | 110 BPM | ||
Lesson 4, Part 4a, Ear-Training With Solfege in the Mi Minor, E Minor Scale, Theory…the Interval, DEFINITIONS. | David Livianu | A♭ Minor | 2 | 1A | 95 BPM | ||
In Time | Damian Mayor | D♭ Minor | 2 | 12A | 115 BPM | ||
First Second Third: PART II - Teaser Mix | Saskia Garel | C Major | 2 | 8B | 130 BPM | ||
Chapter 08: Mom Wins | Bibi and Tina, Ulf Tiehm, Britt McKillip, Chantal Strand | D♭ Major | 4 | 3B | 155 BPM | ||
Chapter 08: Everyone Love Cuddles | Bibi and Tina, Ulf Tiehm, Britt McKillip, Chantal Strand | B Minor | 3 | 10A | 98 BPM |
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