The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13a - Johann Sebastian Bach, Philip Setzer, Lawrence Dutton, David Finckel Information

Acousticness: 94%
Danceability: 56%
Energy: 19%
Instrumentalness: 74%
Liveness: 34%
Loudness: 66%
Speechiness: 7%
Valence: 63%
Popularity: 12%
Loudness: -20.188 dB

Summary

Johann Sebastian Bach, Philip Setzer, Lawrence Dutton, David Finckel made "The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13a" available on January 1, 2003. The duration of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13a is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13a's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 22 in Bach, J.S.: The Art of Fugue - Emerson String Quartet by Johann Sebastian Bach, Emerson String Quartet. In terms of popularity, The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13a is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13a BPM

The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13a by Johann Sebastian Bach, Philip Setzer, Lawrence Dutton, David Finckel is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13a Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Gavotte (Paride ed Elena)	Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio	A Major	0	11B	98 BPM
Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Thema. Moderato semplice	Pyotr Ilyich Tchaikovsky, Jan Vogler	A Major	0	11B	66 BPM
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet	London Conchord Ensemble, Florian Uhlig	B Minor	1	10A	114 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	126 BPM
Sonata in E Minor (Allegrissimo), Kk. 98	Domenico Scarlatti, Ivo Pogorelich	E Minor	0	9A	84 BPM
Four Pieces for String Quartet, Op. 81, MWV R 35: IV. Fuga	Felix Mendelssohn, Emerson String Quartet	D Major	0	10B	98 BPM
String Quartet No. 3 In C Major, Op.76, Hob. lll:77 "Emperor": 1. Allegro	Joseph Haydn, Emerson String Quartet	G Major	1	9B	100 BPM
Concerto for 4 Harpsichords in A Minor, BWV 1065: I. Allegro	Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Nicole Hostettler, Leonore Klinckerfus, Jörg Faerber, Württembergisches Kammerorchester Heilbronn	G Major	1	9B	109 BPM
Lo frate 'nnamorato: II. Andante	Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato	E Minor	5	9A	165 BPM
Fantasiestücke, Op. 73: No. 3, Rasch und mit Feuer	Robert Schumann, Emanuel Ax, Yo-Yo Ma	A Major	1	11B	74 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6026976108551025

End: 0.6085853576660156