- BPM
- 100
- Key
- F♯ Minor
- Camelot
- 11A
Sonata II In G Minor: VII. Grave (Muffat) - Georg Muffat, Masques Information
- Acousticness
- 92%
- Danceability
- 14%
- Energy
- 5%
- Instrumentalness
- 68%
- Liveness
- 12%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -19.127 dB
Summary
"Sonata II In G Minor: VII. Grave (Muffat)" by Georg Muffat, Masques was released on March 21, 2006. The duration of Sonata II In G Minor: VII. Grave (Muffat) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Sonata II In G Minor: VII. Grave (Muffat)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Masques, Olivier Fortin's "Mensa Sonora - Biber And His Contemporaries" album is number 9 out of 29. In terms of popularity, Sonata II In G Minor: VII. Grave (Muffat) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sonata II In G Minor: VII. Grave (Muffat) BPM
We consider the tempo marking of Sonata II In G Minor: VII. Grave (Muffat) by Georg Muffat, Masques to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Sonata II In G Minor: VII. Grave (Muffat) Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | |
 | Les Indes Galantes - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | A♭ Minor | 4 | 1A | 141 BPM | |
 | Concerto grosso No. 9 in F Major, Op. 6: I. Preludio (Largo) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | E Major | 2 | 12B | 102 BPM | |
 | Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | |
| Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | |
 | Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | |
 | Propitia sydera in G Major: III. Gavotta | Georg Muffat, Salieri Chamber Orchestra, Tamás Pál | D♭ Major | 4 | 3B | 107 BPM | |
 | Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | |
 | Missa in labore requies à 24 - Credo: Et in Spiritum Sanctum | Georg Muffat, Miriam Feuersinger, Stephanie Petitlaurent, Alex Potter, William Purefoy, Hans-Jörg Mammel, Manuel Warwitz, Markus Flaig, Lisandro Abadie, Cappella Murensis, Trompetenconsort Innsbruck, Les Cornets Noirs, Johannes Strobl | C Major | 2 | 8B | 97 BPM | |
 | Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6313352584838867
End: 0.6361408233642578