Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson made "Orbits for Clarinet Solo: VIII. Eighth Movement" available on November 16, 2009. With Orbits for Clarinet Solo: VIII. Eighth Movement being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 19 out of 27 in Camilleri: Music for Clarinet, Violin and Piano by Charles Camilleri, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Orbits for Clarinet Solo: VIII. Eighth Movement is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Orbits for Clarinet Solo: VIII. Eighth Movement by Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in B-Flat Major, Op. 94: II. Episodes: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Eternal Rest | Jade Spirit | F Major | 2 | 7B | 92 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
24 Caprices, Op. 1: No. 2 in B Minor, Moderato - Transcription By Roberto Pasquini | Niccolò Paganini, Roberto Pasquini | A Minor | 1 | 8A | 66 BPM | ||
Nocturne in E-Flat Major | Reynaldo Hahn, Tamsin Waley-Cohen, Huw Watkins | B♭ Major | 0 | 6B | 155 BPM | ||
3 Zweistimmige Lieder, Op. 43/1: I. Wenn ich ein Vöglein wär | Robert Schumann, Barbican Quartet | N/A | N/A | N/A | 0 BPM | ||
Cello Concerto No. 2, W516: IV. Allegro energico | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Malta Suite: IV. Village Festa | Charles Camilleri, Bournemouth Symphony Orchestra, Brian Schembri | D Major | 2 | 10B | 116 BPM |
Section: 0.7857511043548584
End: 0.7901530265808105