Asami Kobayashi's '夢のあとさき' came out on March 30, 1985. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 小林麻美・CDベスト, so we believe that "夢のあとさき" is a single. In terms of popularity, 夢のあとさき is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 夢のあとさき by Asami Kobayashi is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
夕焼け | Hiromi Ota | E♭ Minor | 4 | 2A | 81 BPM | ||
水鏡 | 鈴木一平 | D Minor | 6 | 7A | 81 BPM | ||
八十八夜 | N.S.P | E Minor | 4 | 9A | 150 BPM | ||
恋の町札幌 | Yujiro Ishihara | C Minor | 2 | 5A | 99 BPM | ||
針葉樹 | Goro Noguchi | F Minor | 6 | 4A | 144 BPM | ||
くるみ割り人形 | Hitomi Ishikawa | A Major | 7 | 11B | 141 BPM | ||
花嫁 | Norihiko Hashida And Climax | A Major | 6 | 11B | 124 BPM | ||
青い花火 | Juri Hamada | G Major | 8 | 9B | 104 BPM | ||
私は泣いています | Lily | D Minor | 3 | 7A | 140 BPM | ||
象牙海岸(LIVE Ver.) | Mariya Takeuchi | C Major | 5 | 8B | 110 BPM |
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