Jean-Philippe Vanbeselaere, Thomas Leleu, José Francisco Montes, Juan Carlos Tortoza, Orquesta Sinfonica de Lara, The Unknown Artist, Tarcisio Barreto Ceballos made "Convergences: I. Fantasque" available on June 2, 2015. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Thomas Leleu, Tarcisio Barreto Ceballos's "In the Mood for Tuba" album is number 1 out of 17. On top of that, France appears to be the country where this track was created. In terms of popularity, Convergences: I. Fantasque is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Convergences: I. Fantasque by Jean-Philippe Vanbeselaere, Thomas Leleu, José Francisco Montes, Juan Carlos Tortoza, Orquesta Sinfonica de Lara, The Unknown Artist, Tarcisio Barreto Ceballos to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie in D Major: IV. Versetto No.3, Senza indicazione di tempo | Giacomo Puccini, Paolo Bottini | D Major | 0 | 10B | 141 BPM | ||
Lux Aeterna: III. Largo | Rihards Dubra, Saxtett | G Minor | 0 | 6A | 60 BPM | ||
Portraits for Trumpet and Piano : V. Austerity | Jamie Whitmarsh, Ryan Beach, Rachel Kerr | E Major | 0 | 12B | 69 BPM | ||
Marche slave, Op. 31 ; TH 45 (extrait) | Pyotr Ilyich Tchaikovsky, Wiener Symphoniker, Karel Ančerl | B Minor | 5 | 10A | 94 BPM | ||
Abreu: Tico Tico - En Directo | Jove Banda Simfònica de la FSMCV | A♭ Major | 1 | 4B | 148 BPM | ||
Symphony No. 8: Finale | Jessica Buzbee, David Bobroff, Lee Rogers, Timothy Buzbee | A♭ Major | 0 | 4B | 85 BPM | ||
Who Cares? (after Gershwin): I'll Build A Stairway To Paradise | Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee | E♭ Major | 1 | 5B | 123 BPM | ||
Bassoon Concerto in A Minor, RV 498:: I. Allegro | Antonio Vivaldi, Zeewoong Munn, Lyum Chamber Orchestra, Jean-Philippe Vanbeselaere | F Major | 2 | 7B | 149 BPM | ||
And the Band Played On | The Regimental Band of the Coldstream Guards, Major Graham O. Jones | E♭ Major | 4 | 5B | 131 BPM | ||
Fields of Deliberation | Kevin Houben | A♭ Major | 2 | 4B | 110 BPM |
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