"Seasons in Hell: Act II: Roche late 1873" by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel was released on October 1, 1997. The duration of Seasons in Hell: Act II: Roche late 1873 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Seasons in Hell: Act II: Roche late 1873's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Seasons in Hell: Act II: Roche late 1873 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seasons in Hell: Act II: Roche late 1873 by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dream of Gerontius, Op. 38, Pt.2: I went to sleep | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 174 BPM | ||
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Dir, der Unberuhrbaren - Du schwebst zu Hohen der ewigen Reiche - | Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E Major | 1 | 12B | 141 BPM | ||
Messa di Requiem: Agnus dei | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | C Major | 0 | 8B | 90 BPM | ||
A Child's Garden of Dreams, Book 1: I. There is a desert on the moon where the dreamer sinks so deeply into the ground that she reaches hell | David Maslanka, Dallas Wind Symphony, Jerry Junkin | C Major | 0 | 8B | 90 BPM | ||
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 3 | 9A | 86 BPM | ||
Rusalka, Op. 114 / Act 3: Bílá moje lani! Bílá moje lani! | Antonín Dvořák, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Minor | 4 | 10A | 80 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Magical Lasso | Andrew Lloyd Webber, Phantom Of The Opera Original London Cast, Janos Kurucz, Janet Devenish, Mary Millar | E♭ Major | 0 | 5B | 76 BPM | ||
In Memoriam Dylan Thomas: Do Not Go Gentle into that Good Night | Igor Stravinsky, Robert Tear, Ensemble Intercontemporain, Pierre Boulez | E Minor | 0 | 9A | 96 BPM | ||
Adams: Nixon in China: Act I, Scene 2 - "Like the Ming Tombs." | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 96 BPM |
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