"Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio" by Carl Maria von Weber, Juanjo Mena, BBC Philharmonic Orchestra, Karen Geoghegan was released on November 1, 2012. With this song being about 5 minutes long, at 4:45, "Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio" by Carl Maria von Weber, Juanjo Mena, BBC Philharmonic Orchestra, Karen Geoghegan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weber: Symphonies Nos. 1 & 2, Bassoon Concerto & Invitation to the Dance by Carl Maria von Weber, Juanjo Mena, BBC Philharmonic Orchestra, Karen Geoghegan. The song's track number on the album is #7 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio by Carl Maria von Weber, Juanjo Mena, BBC Philharmonic Orchestra, Karen Geoghegan has a tempo of 148 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio being at 148 BPM, the half-time would be 74 BPM with a double-time of 296 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM |
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