Johann Sebastian Bach, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Christophe Coin, Gotthold Schwarz's 'Schmücke Dich, O Liebe Seele, BWV 180: VII. Jesu, Wahres Brot Des Lebens (Chor)' came out on January 1, 1994. With Schmücke Dich, O Liebe Seele, BWV 180: VII. Jesu, Wahres Brot Des Lebens (Chor) being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Christoph Prégardien, Barbara Schlick, Andreas Scholl's "J. S. Bach: Cantates BWV 180, 49 & 115" album is number 7 out of 19. On top of that, France appears to be the country where this track was created. In terms of popularity, Schmücke Dich, O Liebe Seele, BWV 180: VII. Jesu, Wahres Brot Des Lebens (Chor) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Schmücke Dich, O Liebe Seele, BWV 180: VII. Jesu, Wahres Brot Des Lebens (Chor) by Johann Sebastian Bach, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Christophe Coin, Gotthold Schwarz to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 4. Aria (Tenore) (Versus III): Jesus Christus, Gottes Sohn | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
I. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, Bereit | Pieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach | F♯ Major | 1 | 2B | 112 BPM | ||
Magnificat in D Major, BWV 243: Fecit potentiam (Soprano, Alto, Tenor, Bass) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 4 | 10B | 112 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (7) Choral (Coro): Gloria Sei Dir Gesungen | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 2 | 10B | 79 BPM | ||
III. Meine Seel Erhebt Den Herren BWV 10, 1. Coro: Meine Seel Erhebt Den Herren | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Ruth Holton, Bas Ramselaar, Ofer Frenkel, Pieter Jan Leusink | B Minor | 3 | 10A | 89 BPM | ||
St. John Passion, BWV 245, Part 2: No. 27a, Rezitativ and Chorus "Die Kriegsknechte aber, da sie Jesum gekreuziget hatten" (Evangelist) - No. 27b, "Lasset uns den nicht zerteilen" (Turba) - No. 27c, "Auf daß erfüllet würde die Schrift (Evangelist) | Johann Sebastian Bach, Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | D♭ Major | 2 | 3B | 130 BPM | ||
III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, (7) Choral (Coro): Herr Jesu Christ, Einiger Trost | Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Marcel Beekman, Marjon Strijk, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 76 BPM | ||
Tilge, Hochster, meine Sunden (Soprano, Alto) | Johann Sebastian Bach, Monika Frimmer, Kai Wessel, Munich Neue Hofkapelle, Christian Brembeck | F Minor | 2 | 4A | 151 BPM |
Section: 0.6792993545532227
End: 0.6857926845550537