La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée"
Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Giuseppe Sabbatini, Michele Pertusi
Berlioz Odyssey: The Complete Colin Davis Recordings
3:28 November 30, 2018
BPM
91
Key
F Major
Camelot
7B

Embed

Share Link

La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée" - Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Giuseppe Sabbatini, Michele Pertusi Information

Acousticness
87%
Danceability
41%
Energy
2%
Instrumentalness
0%
Liveness
86%
Loudness
44%
Speechiness
10%
Valence
14%
Popularity
Loudness
-33.889 dB

Summary

"La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée"" by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Giuseppe Sabbatini, Michele Pertusi was released on November 30, 2018. The duration of La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée" is about 3 minutes long, at 3:28. Based on our data, "La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 32 out of 217 in Berlioz Odyssey: The Complete Colin Davis Recordings by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis. In terms of popularity, La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée" BPM

The tempo marking of La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée" by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Giuseppe Sabbatini, Michele Pertusi is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée" Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo by Gustav Holst, English Sinfonia, Howard GriffithsSt. Paul's Suite, Op. 29, No. 2: III. IntermezzoGustav Holst, English Sinfonia, Howard GriffithsE Minor19A132 BPM
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo by Antonín Dvořák, Berliner Philharmoniker, Rafael KubelíkSymphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppoAntonín Dvořák, Berliner Philharmoniker, Rafael KubelíkG Major29B141 BPM
Die Fledermaus: Overture by Johann Strauss II, Bavarian State Orchestra, Carlos KleiberDie Fledermaus: OvertureJohann Strauss II, Bavarian State Orchestra, Carlos KleiberD Major210B109 BPM
Khachaturian: Violin Concerto in D Minor: III. Allegro vivace by Aram Khachaturian, Itzhak Perlman, Zubin Mehta, Israel Philharmonic OrchestraKhachaturian: Violin Concerto in D Minor: III. Allegro vivaceAram Khachaturian, Itzhak Perlman, Zubin Mehta, Israel Philharmonic OrchestraD Major310B156 BPM
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto by Franz Schubert, Wiener Philharmoniker, Claudio AbbadoSymphony No. 5 in B-Flat Major, D. 485: 2. Andante con motoFranz Schubert, Wiener Philharmoniker, Claudio AbbadoB Major21B88 BPM
Symphony No. 2: II. Allegro molto by Sergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraSymphony No. 2: II. Allegro moltoSergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraF Major17B146 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo by Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsDouble Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppoJohannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsA Minor28A86 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante by Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigMendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. AndanteFelix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigC Major18B96 BPM
Hungarian Dance No.20 In E Minor by Johannes Brahms, Wiener Philharmoniker, Claudio AbbadoHungarian Dance No.20 In E MinorJohannes Brahms, Wiener Philharmoniker, Claudio AbbadoE Minor19A76 BPM
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) by Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto)Antonín Dvořák, Czech Philharmonic Orchestra, Jiří BělohlávekG Major29B106 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8558270931243896

End: 0.8603873252868652