- BPM
- 79
- Key
- C Minor
- Camelot
- 5A
Ave Maria - William Byrd, Collegium Vocale Gent, Philippe Herreweghe Information
- Acousticness
- 99%
- Danceability
- 10%
- Energy
- 14%
- Instrumentalness
- 13%
- Liveness
- 8%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -21.94 dB
Summary
"Ave Maria" by William Byrd, Collegium Vocale Gent, Philippe Herreweghe was released on November 3, 2014. The duration of Ave Maria is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Byrd: Infelix ego, Mass for 5 Voices & Motets by William Byrd, Collegium Vocale Gent, Philippe Herreweghe. Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria BPM
The tempo marking of Ave Maria by William Byrd, Collegium Vocale Gent, Philippe Herreweghe is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Ave Maria Key
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Psalm 100, "Jauchzet dem Herrn, all Welt" | Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss | F Major | 1 | 7B | 88 BPM | |
 | Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Matthew Brown, Hugh Cutting, Oliver Morris, James Beddoe, Andrew Nethsingha | D Minor | 0 | 7A | 74 BPM | |
 | Mass for Four Voices: Kyrie | William Byrd, Christ Church Cathedral Choir, Stephen Darlington | F Minor | 1 | 4A | 80 BPM | |
 | 4 Songs of Love: No. 4, His Left Hand | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | A Minor | 0 | 8A | 138 BPM | |
 | Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | |
 | Hymnen, Op. 140: Nr. 3 Eripe me | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 80 BPM | |
 | Miserere mei Deus | William Byrd, Contrapunctus, Owen Rees | E Minor | 1 | 9A | 76 BPM | |
 | Motet: Parce, Domine | Heinrich Isaac, Jordi Savall | A Minor | 1 | 8A | 100 BPM | |
 | Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | |
 | Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6648242473602295
End: 0.6690449714660645