Tristan Seewer's 'À Bout de Souffle' came out on October 1, 2022. The duration of À Bout de Souffle is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. À Bout de Souffle's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in À Bout de Souffle, so we believe that this song is a single. The popularity of À Bout de Souffle is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of À Bout de Souffle by Tristan Seewer is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
What Women Do Best | Kris Bowers | G Major | 3 | 9B | 121 BPM | ||
Resting (Short) | Arash Safaian, Sindy Mohamed, Bernhard Wünsch, The Berlin Orchestra | B♭ Minor | 1 | 3A | 73 BPM | ||
Il Reste Du Temps | Lo Mimieux | F♯ Minor | 1 | 11A | 76 BPM | ||
Anonymous Waltz | Matt Stewart-Evans | F Minor | 1 | 4A | 78 BPM | ||
Pelléas et Mélisande: I. Ils étaient comme des enfants | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | D Major | 2 | 10B | 172 BPM | ||
Maria's Room | Christian Henson | B Major | 2 | 1B | 122 BPM | ||
The Pier (from "Never Let Me Go", Arr. for Piano & Cello) | Rachel Portman, Raphaela Gromes | E Minor | 1 | 9A | 84 BPM | ||
Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic | B♭ Major | 1 | 6B | 78 BPM | ||
Plumfield | Alexandre Desplat | B♭ Major | 3 | 6B | 88 BPM | ||
Le banc | Papa Tout Gris | F Minor | 0 | 4A | 115 BPM |
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