Cowboy Junkies's 'The Last Spike' came out on February 7, 1992. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 12 in Black Eyed Man by Cowboy Junkies. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, The Last Spike's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Last Spike by Cowboy Junkies is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stone Cold World | Caroline Herring | B♭ Major | 5 | 6B | 146 BPM | ||
Still Not Home | Tift Merritt | F Major | 5 | 7B | 94 BPM | ||
Three Chords and Truth | Lynn Miles | B♭ Major | 3 | 6B | 100 BPM | ||
Pullin' Back the Reins | k.d.lang & The Reclines | C Major | 3 | 8B | 190 BPM | ||
200 More Miles | Cowboy Junkies | C Major | 1 | 8B | 71 BPM | ||
Scattered Leaves | The Be Good Tanyas | C Major | 2 | 8B | 105 BPM | ||
Through the Morning, Through the Night | Robert Plant, Alison Krauss | D♭ Minor | 3 | 12A | 81 BPM | ||
Promises to Keep | Eliza Gilkyson | A Major | 2 | 11B | 145 BPM | ||
Down Low | Teddy Thompson | E Major | 2 | 12B | 80 BPM | ||
In Spite Of All The Damage | The Be Good Tanyas | G Major | 2 | 9B | 132 BPM |
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