"Prelude & Fugue in D Major, BWV 874: II. Fugue (Arr. H. Villa-Lobos for Choir)" by Johann Sebastian Bach, Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi was released on January 29, 2021. The duration of Prelude & Fugue in D Major, BWV 874: II. Fugue (Arr. H. Villa-Lobos for Choir) is about 3 minutes long, at 3:04. Based on our data, "Prelude & Fugue in D Major, BWV 874: II. Fugue (Arr. H. Villa-Lobos for Choir)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Villa-Lobos: Choral Transcriptions by Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi. The song's track number on the album is #13 out of 15 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. The popularity of Prelude & Fugue in D Major, BWV 874: II. Fugue (Arr. H. Villa-Lobos for Choir) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Prelude & Fugue in D Major, BWV 874: II. Fugue (Arr. H. Villa-Lobos for Choir) by Johann Sebastian Bach, Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Prelude & Fugue in D Major, BWV 874: II. Fugue (Arr. H. Villa-Lobos for Choir) being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM |
Section: 0.6030006408691406
End: 0.6104891300201416