Laurent Naouri, David Abramovitz, Paul Morand, Maurice Ravel made "Don Quichotte A Dulcinee: No. 3: Chanson A Boire" available on January 9, 2004. With Don Quichotte A Dulcinee: No. 3: Chanson A Boire being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Ravel: Chansons". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Hong Kong. Don Quichotte A Dulcinee: No. 3: Chanson A Boire is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Don Quichotte A Dulcinee: No. 3: Chanson A Boire by Laurent Naouri, David Abramovitz, Paul Morand, Maurice Ravel having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, FP 148: 6. Vidit suum | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 1 | 8B | 103 BPM | ||
String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
Flammes, Op. 10 | Albert Roussel, Marie Devellereau, Yann Beuron, Laurent Naouri, Billy Eidi | F♯ Minor | 2 | 11A | 86 BPM | ||
Berlioz: Benvenuto Cellini, H. 76a, Act 1: "À nous, voisines et servantes !" (Balducci, Teresa, Fieramosca, Chorus) | Hector Berlioz, John Nelson, Jean-Francois Lapointe, Laurent Naouri, Patrizia Ciofi, Orchestre National De France | E Minor | 2 | 9A | 136 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
4 Poemes, Op. 3: No. 3. Le jardin mouille | Albert Roussel, Marie Devellereau, Yann Beuron, Laurent Naouri, Billy Eidi | C Minor | 1 | 5A | 66 BPM | ||
Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: I. Allegro moderato | Dmitri Shostakovich, Alexander Melnikov, Jeroen Berwaerts, Teodor Currentzis, Mahler Chamber Orchestra | C Minor | 2 | 5A | 142 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Don César de Bazan, Act I Scene 8 (1888 Version): Bohème charmante | Jules Massenet, Laurent Naouri, Christian Helmer, Elsa Dreisig, Marion Lebègue, Ensemble Aedes, Orchestre des Frivolités Parisiennes, Unknown Artist, Mathieu Romano | E Major | 2 | 12B | 127 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM |
Section: 1.0537703037261963
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