"Orpheus" by Lars Johan Werle, Swedish Chamber Choir, Simon Phipps was released on March 1, 2012. The duration of Orpheus is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Orpheus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Swedish Chamber Choir: New Favourites". In this album, this song's track order is #16. Orpheus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orpheus by Lars Johan Werle, Swedish Chamber Choir, Simon Phipps having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Figure humaine, FP 120: IV. Patience | Francis Poulenc, Tenebrae, Nigel Short | G Major | 0 | 9B | 68 BPM | ||
Seven Songs: I. I Have a Bird | Sally Beamish, Emily Dickinson, The St Catharine's Girls' Choir, Cambridge, Edward Wickham | G Major | 0 | 9B | 76 BPM | ||
Miserere: II. Amplius lavame ; Quoniam iniquitatem meam - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | E Minor | 0 | 9A | 69 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Triptych 07: Divine Spirit | Kastalski Mixed Choir | B♭ Minor | 2 | 3A | 124 BPM | ||
Missa ex B: V. Domine Fili - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | G Minor | 1 | 6A | 121 BPM | ||
A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM |
Section: 0.7458255290985107
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