Francois Couture's 'Sonate pour cinq guitares No. 1: I.' came out on October 14, 2022. The duration of Sonate pour cinq guitares No. 1: I. is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Sonate pour cinq guitares No. 1: I.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Sonates pour 1 à 7 guitares". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Canada. Sonate pour cinq guitares No. 1: I. is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonate pour cinq guitares No. 1: I. by Francois Couture having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Study in E Minor | Kevin Douglas Hammer | E Minor | 3 | 9A | 113 BPM | ||
The White Cranes | NADiA KOSSINSKAJA, Yan Frenkel | E Minor | 1 | 9A | 97 BPM | ||
That Lone Voice Remained | Carlo Matti, Juan Alberto Castillo | D Minor | 2 | 7A | 83 BPM | ||
Estudio Solitude | Pieter Nanne | E Minor | 1 | 9A | 78 BPM | ||
Estudio in B Minor, Op. 35, No. 22 | Hasan Çakırsoy | B Minor | 2 | 10A | 103 BPM | ||
Akh, Maral Jan / Ervum Em (Arr. by João Kouyoumdjian) | Komitas, João Kouyoumdjian | E Major | 1 | 12B | 91 BPM | ||
Suite del Plata No. 1: I. Prelude | Maximo Deigo Pujol, Nick Cutroneo | C Major | 1 | 8B | 140 BPM | ||
Waves | Robert D Boman | C Major | 1 | 8B | 101 BPM | ||
Fanfare and Theme | Marek Pasieczny | D Major | 1 | 10B | 88 BPM | ||
L'alouette radieuse | Antoine Malette-Chénier, Francois Couture | C Major | 0 | 8B | 96 BPM |
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