Felix Mendelssohn, Daniel Barenboim's 'Lieder ohne Worte, Op.38: No. 1. Con moto In E Flat, MWV U 121' came out on January 1, 1974. The duration of Lieder ohne Worte, Op.38: No. 1. Con moto In E Flat, MWV U 121 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Lieder ohne Worte, Op.38: No. 1. Con moto In E Flat, MWV U 121's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Daniel Barenboim's "Mendelssohn: Songs without Words" album is number 13 out of 58. In terms of popularity, Lieder ohne Worte, Op.38: No. 1. Con moto In E Flat, MWV U 121 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte, Op.38: No. 1. Con moto In E Flat, MWV U 121 by Felix Mendelssohn, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 34: No. 11 in B Major. Allegretto | Dmitri Shostakovich, Tatiana Nikolayeva | D♭ Minor | 2 | 12A | 107 BPM | ||
Piano Sonata in E Minor, Op. 7: II. Andante molto | Edvard Grieg, Einar Steen-Nøkleberg | F Major | 0 | 7B | 137 BPM | ||
Piano Sonata No. 7 in E flat, D. 568: I. Allegro moderato | Franz Schubert, Daniel Barenboim | G Major | 2 | 9B | 158 BPM | ||
24 Preludes, Op. 11: No. 12 in G-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | E Minor | 2 | 9A | 151 BPM | ||
Gondellied (Barcarolle) in A major (1837): Allegretto non troppo, MWV U 136 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 72 BPM | ||
Etudes-tableaux, Op. 33: No. 9 in C-Sharp Minor. Grave | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Minor | 3 | 3A | 119 BPM | ||
12 Monferrinas, Op. 49: VIII. Vivace assai | Muzio Clementi, Howard Shelley | B♭ Major | 2 | 6B | 103 BPM | ||
Lieder ohne Worte, Op.62: No. 4 Allegro con anima in G, MWV U 175 - "Morning Song" | Felix Mendelssohn, Daniel Barenboim | G Major | 1 | 9B | 49 BPM | ||
Lieder ohne Worte, Op.85: No. 4. Andante sostenuto in D, MWV U 190 - "Elegy" | Felix Mendelssohn, Daniel Barenboim | D Major | 0 | 10B | 69 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie, Les Violins du Roy | G Major | 0 | 9B | 213 BPM |
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