Alexander Scriabin, Vladimir Horowitz made "12 Etudes for piano, Op.8: No. 12 in D sharp minor" available on January 1, 1986. The duration of 12 Etudes for piano, Op.8: No. 12 in D sharp minor is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. 12 Etudes for piano, Op.8: No. 12 in D sharp minor's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vladimir Horowitz - The Studio Recordings by Vladimir Horowitz. The song's track number on the album is #13 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, 12 Etudes for piano, Op.8: No. 12 in D sharp minor is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since 12 Etudes for piano, Op.8: No. 12 in D sharp minor by Alexander Scriabin, Vladimir Horowitz has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 12 Etudes for piano, Op.8: No. 12 in D sharp minor being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Poetic Tone Pictures, Op.85: VI. Sorrowful Reverie | Antonín Dvořák, Leif Ove Andsnes | A Minor | 0 | 8A | 137 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM |
Section: 0.6672055721282959
End: 0.6720240116119385