Johann Strauss II, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay's 'Annen-Polka, Op. 117 (Arr. Richard Atzler)' came out on December 31, 2021. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Strauss II's "Happy New Year - Classical Music" album is number 17 out of 123. Based on our statistics, Annen-Polka, Op. 117 (Arr. Richard Atzler)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Annen-Polka, Op. 117 (Arr. Richard Atzler) by Johann Strauss II, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Die Fledermaus / Act 2: Nr.7 Couplet: "Ich lade gern mir Gäste ein" | Johann Strauss II, Hermann Prey, Ivan Rebroff, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 134 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | A Major | 2 | 11B | 70 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt) | Ludwig van Beethoven, Riccardo Muti, James Morris, Philadelphia Orchestra | B♭ Major | 0 | 6B | 77 BPM | ||
Accelerations - Waltz Op. 234 | Johann Strauss II, Hallé, Bryden Thomson | G Major | 0 | 9B | 101 BPM |
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