"Azulão" by Renzo Massarani, Claudia Marie-Thérèse Hasslinger, Gregorio Nardi, Manuel Bandeira, Cleómenes Campos, Giuseppe Valentini was released on March 19, 2021. The duration of Azulão is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Azulão's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 3 Songs by Renzo Massarani, so we believe that "Azulão" is a single. Azulão is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Azulão by Renzo Massarani, Claudia Marie-Thérèse Hasslinger, Gregorio Nardi, Manuel Bandeira, Cleómenes Campos, Giuseppe Valentini is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Youkali Tango from Marie Galante | Kurt Weill, Teresa Stratas | D Minor | 1 | 7A | 107 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | A♭ Major | 2 | 4B | 117 BPM | ||
Madama Butterfly, SC 74, Act II: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian | B♭ Major | 0 | 6B | 81 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No.58 "Aus Liebe will mein Heiland Sterben" | Johann Sebastian Bach, Maria Stader, Münchener Bach-Orchester, Karl Richter | A Minor | 1 | 8A | 88 BPM | ||
Hahn: Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Philippe Jaroussky | B Major | 0 | 1B | 83 BPM | ||
Every time we say goodbye | Cole Porter, Ian Bostridge, Brad Mehldau | E♭ Major | 0 | 5B | 134 BPM | ||
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Act I: Dearest, how can you live life without joy (Fevronya, Prince Vsevolod) | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Alexander Vedernikov | B♭ Major | 1 | 6B | 95 BPM | ||
Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio | Heitor Villa-Lobos, Donna Brown, Orquestra Sinfônica Do Estado De São Paulo, Roberto Minczuk | F Major | 0 | 7B | 58 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 1: "Printemps qui commence" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E Major | 0 | 12B | 83 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM |
Section: 0.9094007015228271
End: 0.9132835865020752