"Schumann: Märchenerzählungen, Op. 132: IV. Lebhaft, sehr markiert" by Robert Schumann, Gérard Caussé, Walter Boeykens was released on March 16, 2018. With this song being about 5 minutes long, at 4:47, "Schumann: Märchenerzählungen, Op. 132: IV. Lebhaft, sehr markiert" by Robert Schumann, Gérard Caussé, Walter Boeykens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viola Legend - The Erato Years by Gérard Caussé. The song's track number on the album is #105 out of 168 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Schumann: Märchenerzählungen, Op. 132: IV. Lebhaft, sehr markiert is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Schumann: Märchenerzählungen, Op. 132: IV. Lebhaft, sehr markiert by Robert Schumann, Gérard Caussé, Walter Boeykens has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Schumann: Märchenerzählungen, Op. 132: IV. Lebhaft, sehr markiert being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
Schumann: Minnespiel aus Friedrich Rückerts "Liebesfrühling", Op. 101: No. 4, Mein schöner Stern! (Langsam) | Friedrich Rückert, Robert Schumann, Nicolai Gedda | E♭ Major | 1 | 5B | 167 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Albumblatter, Op. 124: Schlummerlied | Robert Schumann, Dénes Várjon | B♭ Major | 1 | 6B | 146 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |
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