12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel

Song Analysis

Audio information that is featured on 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel.

Acousticness

99%

Energy

5%

Liveness

10%

Speechiness

4%

Danceability

46%

Instrumentalness

83%

Loudness

52%

Valence

8%

Harmonic Matches

Find songs that harmonically matches to 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Sonata No.23 In F Minor Op.57, Sonata No.23 In F Minor Op.57, "Appassionata" - Andante con motoClaudio ArrauD♭ Major03B80
Rhapsody On A Theme Of Paganini, Op.43: Variation 18. Andante cantabile by Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-SéguinRhapsody On A Theme Of Paganini, Op.43: Variation 18. Andante cantabileSergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-SéguinD♭ Major13B88
Six Pieces, Op. 51, TH 143: 6. Valse sentimentale. Tempo di Valse by Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievSix Pieces, Op. 51, TH 143: 6. Valse sentimentale. Tempo di ValsePyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievD♭ Major13B108
The Gadfly, Op.97: 3. Youth (Romance) by Dmitri Shostakovich, Janine Jansen, Royal Philharmonic Orchestra, Barry WordsworthThe Gadfly, Op.97: 3. Youth (Romance)Dmitri Shostakovich, Janine Jansen, Royal Philharmonic Orchestra, Barry WordsworthD♭ Major13B95
Suite bergamasque, L. 75: III. Clair de lune by Claude Debussy, Alexis WeissenbergSuite bergamasque, L. 75: III. Clair de luneClaude Debussy, Alexis WeissenbergD♭ Major03B57
"Sonata No.23 In F Minor Op.57, ""Appassionata"" - Allegro Assai "Claudio ArrauD♭ Major23B74
Nabucco / Act 3: Va, pensiero, sull'ali dorate by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper BerlinNabucco / Act 3: Va, pensiero, sull'ali dorateGiuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper BerlinD♭ Major03B73
Consolation No. 3, S. 172 by Franz Liszt, Jorge BoletConsolation No. 3, S. 172Franz Liszt, Jorge BoletD♭ Major03B65
Suite española No. 1, Op. 47: 4. Cádiz (Canción) by Isaac Albéniz, Lang LangSuite española No. 1, Op. 47: 4. Cádiz (Canción)Isaac Albéniz, Lang LangD♭ Major13B87
River Waltz by Lang Lang, Prague Symphony Orchestra, Alexandre DesplatRiver WaltzLang Lang, Prague Symphony Orchestra, Alexandre DesplatB♭ Minor13A116
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraSchoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia)Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraB♭ Minor13A76
Poème, Op.25 by Ernest Chausson, Julia Fischer, Monte-Carlo Philharmonic Orchestra, Yakov KreizbergPoème, Op.25Ernest Chausson, Julia Fischer, Monte-Carlo Philharmonic Orchestra, Yakov KreizbergB♭ Minor13A98
El Albaicin from Iberia by Arthur RubinsteinEl Albaicin from IberiaArthur RubinsteinB♭ Minor13A87
Barber: Adagio for Strings, Op. 11 by Samuel Barber, Sir Simon Rattle, Berliner PhilharmonikerBarber: Adagio for Strings, Op. 11Samuel Barber, Sir Simon Rattle, Berliner PhilharmonikerB♭ Minor13A74
Sonata No.23 In F Minor Op.57, Sonata No.23 In F Minor Op.57, "Appassionata" - Allegro ma non troppoClaudio ArrauB♭ Minor23A70
Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio by Béla Bartók, Detroit Symphony Orchestra, Antal DorátiMusic for Strings, Percussion and Celesta, Sz. 106: 3. AdagioBéla Bartók, Detroit Symphony Orchestra, Antal DorátiB♭ Minor03A84
Adagio For Strings, Op.11 by Samuel Barber, London Symphony Orchestra, Kristjan JärviAdagio For Strings, Op.11Samuel Barber, London Symphony Orchestra, Kristjan JärviB♭ Minor13A77

12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel Information

This song is track #35 in Beethoven: Classical Summer by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel, which has a total of 167 tracks. The duration of this track is 0:49 and was released on June 7, 2021. As of now, this track is currently not as popular as other songs out there. 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante doesn't provide as much energy as other songs but, this track can still be danceable to some people.

12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante BPM

12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante has a BPM of 100. Since this track has a tempo of 100, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante Key

The key of 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante is D♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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