"Albéniz: Iberia, Cuaderno I: No. 3, El Corpus en Sevilla" by Isaac Albéniz, Michel Block was released on March 8, 2024. Since Albéniz: Iberia, Cuaderno I: No. 3, El Corpus en Sevilla is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 13 in Albéniz: Iberia by Isaac Albéniz, Michel Block. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Albéniz: Iberia, Cuaderno I: No. 3, El Corpus en Sevilla is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albéniz: Iberia, Cuaderno I: No. 3, El Corpus en Sevilla by Isaac Albéniz, Michel Block is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantaisie-Impromptu in C-Sharp Minor, Op. Posth. 66 | John Robert Sawoski, John Sawoski | D♭ Major | 2 | 3B | 72 BPM | ||
Appassionata (Second Movement) | Junior dos Santos Silva | B Major | 0 | 1B | 96 BPM | ||
Gnossienne No. 2 | Erik Satie, Yitkin Seow | D Minor | 0 | 7A | 61 BPM | ||
Symphony No. 3, Op. 55 (Arr. 4 Hands Piano by Carlo Del Grande and Paula Utz): IV. Finale. Allegro Molto - From Red Welte Piano Roll No. 2314 | Ludwig van Beethoven, Carlo del Grande, Paula Utz | E♭ Major | 2 | 5B | 115 BPM | ||
Canapè-lit | Lee Storpiaty | F Minor | 1 | 4A | 80 BPM | ||
Nursery rhyme: Farewell | Shiuan Chang, Evan Wong | N/A | N/A | N/A | 0 BPM | ||
Distant | Misya | B Minor | 1 | 10A | 100 BPM | ||
4 Valses oubliées, S. 215: No. 3, — | Franz Liszt, Anna Leyerer | F♯ Major | 3 | 2B | 108 BPM | ||
Dolly Suite, Op. 56: IV. Kitty-valse | Gabriel Fauré, Kathryn Stott, Martin Roscoe | A♭ Major | 1 | 4B | 119 BPM | ||
Stimmungsbilder Op. 9, TrV 128: II. An einsamer Quelle | Richard Strauss, Guillaume Bellom | F Minor | 1 | 4A | 64 BPM |
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