"8 Humoresques, Op. 101: Humoresque In G Flat Major, Op. 101, No. 7" by Balazs Szokolay, Antonín Dvořák was released on September 5, 1994. The duration of 8 Humoresques, Op. 101: Humoresque In G Flat Major, Op. 101, No. 7 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. 8 Humoresques, Op. 101: Humoresque In G Flat Major, Op. 101, No. 7's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Maiden's Prayer - Leaves From Grandmother's Piano Album". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. 8 Humoresques, Op. 101: Humoresque In G Flat Major, Op. 101, No. 7 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Humoresques, Op. 101: Humoresque In G Flat Major, Op. 101, No. 7 by Balazs Szokolay, Antonín Dvořák having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Bass Sonata: I. Allegretto | Paul Hindemith, Ferenc Csontos, Balazs Szokolay | B Minor | 0 | 10A | 164 BPM | ||
Keyboard Sonata in C Minor, K.11/L.352/P.67: Allegro | Domenico Scarlatti, Balazs Szokolay | G Minor | 1 | 6A | 109 BPM | ||
The Merry Shepherd Boy | Hu-Wei Huang, Lang Lang | G Minor | 2 | 6A | 112 BPM | ||
Sinfonia No. 2 in C Minor, BWV 788 | Johann Sebastian Bach, Maurizio Zaccaria | B Minor | 1 | 10A | 111 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Lyric Pieces, Book 1, Op. 12: Melodie, Op. 38, No. 3 | Edvard Grieg, Balazs Szokolay | C Major | 0 | 8B | 90 BPM | ||
Prelude No. 13 in F sharp Major Op. 28: Lento | Joanna Brezezinska | F♯ Major | 0 | 2B | 71 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Keyboard Sonatina In G Major, Op. 36, No. 5: II. Air Suisse: Allegro Moderato | Muzio Clementi, Balazs Szokolay | C Major | 1 | 8B | 182 BPM |
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