- BPM
- 98
- Key
- F Major
- Camelot
- 7B
Elysian Fields - Live at the Sydney Opera House, 2017 - Benjamin Northey, Kate Miller-Heidke, Sydney Symphony Orchestra Information
- Acousticness
- 89%
- Danceability
- 30%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 68%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 2%
- Loudness
- -17.465 dB
Summary
"Elysian Fields - Live at the Sydney Opera House, 2017" by Benjamin Northey, Kate Miller-Heidke, Sydney Symphony Orchestra was released on August 11, 2017. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Benjamin Northey, James Morrison, Patti Austin's "Live at the Sydney Opera House" album is number 5 out of 17. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Elysian Fields - Live at the Sydney Opera House, 2017 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Elysian Fields - Live at the Sydney Opera House, 2017 BPM
We consider the tempo marking of Elysian Fields - Live at the Sydney Opera House, 2017 by Benjamin Northey, Kate Miller-Heidke, Sydney Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Elysian Fields - Live at the Sydney Opera House, 2017 Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 6 Romanian Folk Dances, BB 68, Sz. 56: No. 1 Stick Dance | Béla Bartók, Avi Avital, Kammerakademie Potsdam | C Major | 1 | 8B | 68 BPM | |
 | The Young Person's Guide to the Orchestra: X. Variation C (Moderato) : Clarinets | Christopher Lawrence, Sydney Symphony Orchestra, Benjamin Northey | D Minor | 1 | 7A | 127 BPM | |
 | Taken by the Sea | Nigel Westlake, Melbourne Symphony Orchestra, Benjamin Northey | F Major | 1 | 7B | 76 BPM | |
 | Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | |
 | Confessions: Dog and Frog | Orchestra of the Swan, David Gordon, Mark Ashford, Diane Clark | A Minor | 0 | 8A | 62 BPM | |
 | Trittico botticelliano, P. 151: I. La Primavera: Allegro vivace | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F Major | 2 | 7B | 70 BPM | |
 | Adagio for Strings | Jorge Mester, Melbourne Symphony Orchestra | B♭ Minor | 0 | 3A | 75 BPM | |
 | Guitar Concerto: II | Oliver Davis, Sergio Puccini, Oliver Wass, Peter Illenyi, Budapest Scoring Orchestra | D Minor | 1 | 7A | 90 BPM | |
 | The Night Of The Iguana: Maxine And Shannon Theme (Finale) | Benjamin Frankel, Queensland Symphony Orchestra, Werner Andreas Albert | A Major | 0 | 11B | 83 BPM | |
 | The Birth of the Blues - Live | Ben Robertson, Benjamin Northey, David Jones, Doug De Vries, James Morrison, Melbourne Symphony Orchestra | B♭ Major | 3 | 6B | 97 BPM |
- ISRC
- AUAB01700607
- Label
- L-M Records/RCA Records
Section: 0.6370220184326172
End: 0.6410362720489502