Wolfgang Amadeus Mozart, Daniel Barenboim's 'Mozart: 6 Variations on Paisiello's "Salve tu, Domine" in F Major, K. 398: Variation IV' came out on August 2, 2013. With Mozart: 6 Variations on Paisiello's "Salve tu, Domine" in F Major, K. 398: Variation IV being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Daniel Barenboim's "Mozart: Complete Piano Sonatas and Variations" album is number 51 out of 213. The popularity of Mozart: 6 Variations on Paisiello's "Salve tu, Domine" in F Major, K. 398: Variation IV is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: 6 Variations on Paisiello's "Salve tu, Domine" in F Major, K. 398: Variation IV by Wolfgang Amadeus Mozart, Daniel Barenboim to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". I. Allegro | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 118 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Minor | 4 | 5A | 110 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo (Allegretto) - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 118 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 75 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM |
Section: 0.8273186683654785
End: 0.8316469192504883