Johanna (From "Sweeney Todd 2012 London Cast Recording")
Luke Brady
Sweeney Todd (The 2012 London Cast Recording)
1:58 April 2, 2012
BPM
121
Key
F Major
Camelot
7B

Embed

Share Link

Johanna (From "Sweeney Todd 2012 London Cast Recording") - Luke Brady Information

Acousticness
61%
Danceability
25%
Energy
23%
Instrumentalness
0%
Liveness
9%
Loudness
82%
Speechiness
4%
Valence
11%
Popularity
Loudness
-10.913 dB

Summary

"Johanna (From "Sweeney Todd 2012 London Cast Recording")" by Luke Brady was released on April 2, 2012. With Johanna (From "Sweeney Todd 2012 London Cast Recording") being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Sweeney Todd (The 2012 London Cast Recording)". In this album, this song's track order is #5. Based on our statistics, Johanna (From "Sweeney Todd 2012 London Cast Recording")'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Johanna (From "Sweeney Todd 2012 London Cast Recording") BPM

With Johanna (From "Sweeney Todd 2012 London Cast Recording") by Luke Brady having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Johanna (From "Sweeney Todd 2012 London Cast Recording") Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Love to Me by Adam GuettelLove to MeAdam GuettelD Major110B143 BPM
What's The Use Of Wond'rin'? by Jessie Mueller, Renée FlemingWhat's The Use Of Wond'rin'?Jessie Mueller, Renée FlemingD♭ Major13B88 BPM
Flying Away (Finale) by Beth Malone, Emily Skeggs, Sydney LucasFlying Away (Finale)Beth Malone, Emily Skeggs, Sydney LucasA Major211B141 BPM
Pursue the Truth by Jekyll, John UttersonPursue the TruthJekyll, John UttersonA♭ Minor31A87 BPM
Pierre by Josh Groban, Original Broadway Company of Natasha, Pierre and the Great Comet of 1812PierreJosh Groban, Original Broadway Company of Natasha, Pierre and the Great Comet of 1812E Minor69A93 BPM
I'll Know by Josie de Guzman, Peter GallagherI'll KnowJosie de Guzman, Peter GallagherG Major19B139 BPM
Sister's Pickle by Original Cast of AmélieSister's PickleOriginal Cast of AmélieF♯ Major42B99 BPM
Mister Snow by Lindsay Mendez, Jessie MuellerMister SnowLindsay Mendez, Jessie MuellerG Major29B85 BPM
Matchmaker by Melanie Moore, Alexandra Silber, Samantha MassellMatchmakerMelanie Moore, Alexandra Silber, Samantha MassellE Major312B126 BPM
Out of Sight, out of Mind (feat. Natalie Toro) by Jill Santoriello, Natalie ToroOut of Sight, out of Mind (feat. Natalie Toro)Jill Santoriello, Natalie ToroA♭ Minor51A89 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6127126216888428

End: 0.639939546585083