"Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum" by Arild Sandvold, Kåre Hanken, Schola Cantorum was released on 1996. The duration of Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Schola Cantorum: Sandvold - Nystedt - Jennefelt - Sæverud". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Norway. In terms of popularity, Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum by Arild Sandvold, Kåre Hanken, Schola Cantorum having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
O Fire of the Spirit and Defender | Monks Of The Abbey Of Notre Dame, Gregorian Chants | D Minor | 2 | 7A | 111 BPM | ||
Omnis qui se exaltat | Johannes Wanning, Cappella Gedanensis | G Minor | 3 | 6A | 97 BPM | ||
Missa Jubilate Deo: Kyrie | Schola Laudis, Kevin Allen | A♭ Major | 4 | 4B | 124 BPM | ||
Stranger | Yuri Alexandrovich Falik, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | F Major | 2 | 7B | 70 BPM | ||
Cumque Evigilasset - I 1000 anni dell'Abbaxzia di San miniato al Monte di Firenze | Giuseppe Scali, Coro Gregoriano di San Giovanni Evangelista di Empoli, Francesco Pelagotti, Andrea Franchi, Piero Gelli, Adriano Marchiori, Claudio Marradi, Giampaolo Pratesi, Tommaso Stella | B♭ Major | 1 | 6B | 72 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM |
Section: 0.5990462303161621
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