- BPM
- 135
- Key
- A Major
- Camelot
- 11B
La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 13, Parpignol, Parpignol [Live] - Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen Information
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 23%
- Instrumentalness
- 33%
- Liveness
- 22%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 32%
- Popularity
- 6%
- Loudness
- -14.607 dB
Summary
Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen's 'La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 13, Parpignol, Parpignol [Live]' came out on November 18, 2022. The duration of La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 13, Parpignol, Parpignol [Live] is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 13, Parpignol, Parpignol [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Puccini: La Bohème (Arr. M. van Bellen & M. Halvorsen for Violin & Piano) [Live]". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 13, Parpignol, Parpignol [Live]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 13, Parpignol, Parpignol [Live] BPM
With La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 13, Parpignol, Parpignol [Live] by Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 13, Parpignol, Parpignol [Live] Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Spesso vibra per suo gioco | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 135 BPM | |
 | Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | |
 | Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | |
 | Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | |
 | Turandot / Act 3: Nessun dorma! | Giacomo Puccini, Andrea Bocelli, Coro de la Comunitat Valenciana, Orquestra de la Comunitat Valenciana, Zubin Mehta | D Major | 3 | 10B | 82 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | |
 | Cavalleria Rusticana: Easter Hymn | Pietro Mascagni, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | G Major | 1 | 9B | 157 BPM | |
 | Le nozze di Figaro, K.492 / Act 3: "Che soave zeffiretto" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 135 BPM |
- ISRC
- DE1FJ2203013
- Label
- L-M Records/RCA Records
Section: 0.72878098487854
End: 0.7354955673217773