"È strano… Ah fors'è lui… Sempre libera (from La Traviata)" by Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli was released on August 16, 2011. Since È strano… Ah fors'è lui… Sempre libera (from La Traviata) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dame Joan Sutherland's "Joan Sutherland "La Stupenda"" album is number 1 out of 10. È strano… Ah fors'è lui… Sempre libera (from La Traviata) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of È strano… Ah fors'è lui… Sempre libera (from La Traviata) by Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der fliegende Holländer, WWV 63 / Act 2: "Johohoe! Traft ihr das Schiff im Meere an" | Richard Wagner, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 70 BPM | ||
La fiorala Fiorentina | Dame Joan Sutherland, Richard Bonynge | E♭ Major | 2 | 5B | 65 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
Il Bacio | Dame Joan Sutherland | D Major | 2 | 10B | 69 BPM | ||
Alcina, HWV 34: Tornami a vagheggiar | George Frideric Handel, Dame Joan Sutherland | E Major | 1 | 12B | 175 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 70 BPM | ||
Mary of Argyll (Arr. Gamley) | Sidney Nelson, Dame Joan Sutherland, New Philharmonia Orchestra, Richard Bonynge | F♯ Minor | 2 | 11A | 138 BPM | ||
Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa | Gioachino Rossini, Pretty Yende, Marco Armiliato | E Major | 1 | 12B | 104 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM |
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