"Dies Sind Die Heil'gen Zehn Gebot' Bwv 298" by Nicol Matt, Martina Rotbauer, Heike Hümmer, Jörg Halobek, Johann Sebastian Bach, Ute Petersilge, Soloist Of The Freiburger Barockorchester, Nordic Chamber Choir, Jens Wollenschläger, Robert Sagasser was released on March 28, 2007. With Dies Sind Die Heil'gen Zehn Gebot' Bwv 298 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 36 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Dies Sind Die Heil'gen Zehn Gebot' Bwv 298 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dies Sind Die Heil'gen Zehn Gebot' Bwv 298 by Nicol Matt, Martina Rotbauer, Heike Hümmer, Jörg Halobek, Johann Sebastian Bach, Ute Petersilge, Soloist Of The Freiburger Barockorchester, Nordic Chamber Choir, Jens Wollenschläger, Robert Sagasser is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM | ||
Nimm, was dein ist, und gehe hin, BWV 144: No. 6, Was mein Gott will, das g'scheh' allzeit | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Mass No.2 in G, D.167: 1. Kyrie | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer | B♭ Major | 2 | 6B | 88 BPM | ||
Concerto grosso No. 2 in B-Flat Major, Op. 3, HWV 313: II. Largo | George Frideric Handel, Akademie für Alte Musik Berlin, Georg Kallweit | F♯ Minor | 1 | 11A | 130 BPM | ||
Bleib bei uns, denn es will Abend werden, BWV 6: (Chorale): Bleib bei uns, denn es will Abend werden [Chorus] | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D Major | 2 | 10B | 95 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 3, "An jeder Hand die Finger" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | F Minor | 1 | 4A | 137 BPM | ||
Canzona in C Major, FbWV 305, Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Agnus Dei | Chamber Choir Of Europe, Isabelle Müller-Kant, Württembergische Philharmonie Reutlingen, Anton Bruckner, Eibe Möhlmann, Reinhard Geller, Daniel Sans, Christof Fischesser, Nicol Matt | D Major | 1 | 10B | 66 BPM | ||
Missa S. Marcellini: XXI. Amen - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 82 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: III. Fürchte dich Nicht! | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E♭ Major | 2 | 5B | 123 BPM |
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