Augusta Read Thomas, Alexander Hersh, Tim Hicks, Tim Weiss, Stefan Asbury, Paula Holcomb's 'Bebop Riddle II for cello and piano' came out on April 5, 2024. Since Bebop Riddle II for cello and piano is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 15 in Augusta Read Thomas: Terpsichore's Box of Dreams by Augusta Read Thomas, Grossman Ensemble, Tim Weiss, Stefan Asbury, Paula Holcomb. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bebop Riddle II for cello and piano is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bebop Riddle II for cello and piano by Augusta Read Thomas, Alexander Hersh, Tim Hicks, Tim Weiss, Stefan Asbury, Paula Holcomb is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata para America magica , Op. 27: VI. Canto de la profecia | Alberto Ginastera, Rayanne Dupuis, Bugallo-Williams piano duo, Ensemble S, Percussion Ensemble of Cologne Conservatory, Cologne West German Radio Symphony Orchestra, Stefan Asbury | D♭ Major | 2 | 3B | 126 BPM | ||
Go Go Go | Peter Ross PinkSmit | F Minor | 0 | 4A | 90 BPM | ||
24 Jazz Preludes, Op. 53: No. 10 | Nikolai Kapustin, Yuja Wang | F♯ Minor | 2 | 11A | 123 BPM | ||
Minipulsars, Pt. 2: Bing 2 | Tomasz Trzcinski | A Minor | 3 | 8A | 85 BPM | ||
Tout un monde lointain…: III. Houles | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Turangalîla-Symphony: I. Introduction. Modéré, un peu vif | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | B♭ Minor | 4 | 3A | 148 BPM | ||
Timo Andres: Upstate Obscura: 2. Mazes and Mirrors | Timo Andres, Metropolis Ensemble, Andrew Cyr, Inbal Segev | A♭ Major | 2 | 4B | 89 BPM | ||
Blå Skygge - Blue Shadow: Preludium | Yngve Slettholm, Vegard Landaas, Sidsel | D♭ Major | 0 | 3B | 150 BPM | ||
4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
Messiaen: Éclairs sur l'au-delà...: IV. Les élus marqués du sceau | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM |
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