Carl Ditters von Dittersdorf, Helga Storck, Württemberg Chamber Orchestra, Jörg Faerber's 'Harp Concerto in A Major: III. Rondo. Allegretto - Allegro moderato' came out on January 1, 1992. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 10 in Dittersdorf, Ravel & Others: Works for Harp by Helga Storck. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Harp Concerto in A Major: III. Rondo. Allegretto - Allegro moderato is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Harp Concerto in A Major: III. Rondo. Allegretto - Allegro moderato by Carl Ditters von Dittersdorf, Helga Storck, Württemberg Chamber Orchestra, Jörg Faerber is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Cello Concerto in C Major: II. Grave | Josef Mysliveček, Wendy Warner, Camerata Chicago, Drostan Hall | F Major | 0 | 7B | 89 BPM | ||
Violin Concerto No. 23 in G Major, G. 98: II. Andante | Giovanni Battista Viotti, Mauro Ranieri, Accademia I Filarmonici, Aldo Sisillo | E Major | 0 | 12B | 74 BPM | ||
Requiem für Soli, Chor und Orchester in C Minor: V. Dies irae | Carl Ditters von Dittersdorf, Regensburger Domspatzen, Consortium musicum München, Hanna Farinelli, Birgit Calm, Heiner Hopfner, Nikolaus Hillebrand, Georg Ratzinger | E♭ Major | 1 | 5B | 77 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM | ||
Concerto for Double Bass and Orchestra No. 2 in E-Flat Major, Kr. 172: III. Finale. Allegro | Carl Ditters von Dittersdorf, Orquesta Sinfónica Juvenil Teresa Carreño de Venezuela, Christian Vasquez, Edicson Ruiz | E♭ Major | 1 | 5B | 137 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Grand Galop chromatique in E-Flat Major, S. 219 | Franz Liszt, Lang Lang | A♭ Major | 3 | 4B | 153 BPM |
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