Srikanta Acharya made "Hriday - Basantabone - Shyama" available on November 1, 2010. With Hriday - Basantabone - Shyama being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 5 in the song's album "Tridhara Srikanto Acharya,Vol. 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Hriday - Basantabone - Shyama's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Hriday - Basantabone - Shyama by Srikanta Acharya having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jagorane Jay Bibhabori - 2011 | Kabir Suman, Anjan Dutt, Somlata Acharyya Chowdhury | A Major | 5 | 11B | 100 BPM | ||
Baro Asha Kore Esechhi Go | Hemant Kumar, Arundhati Holme Chowdhury | D Major | 3 | 10B | 78 BPM | ||
Jakhan Keu Amake Pagol Bale | Manna Dey | D♭ Major | 3 | 3B | 140 BPM | ||
Mere Humnafas Mere Humnava | Begum Akhtar | B♭ Major | 4 | 6B | 156 BPM | ||
Tarun Aahe Ratra Ajunahi | Shankar Mahadevan, Sapna Pathak | E♭ Minor | 5 | 2A | 115 BPM | ||
Amaro Porano Jaha Chay | Rabindranath Tagore, Rejoyana Choudhury, Indrani Sen | F♯ Minor | 3 | 11A | 129 BPM | ||
Tomarei Koriachhi Jiboner Dhrubotara | Sahana Bajpaie | G Major | 3 | 9B | 134 BPM | ||
Megh Peoner Bager Vitor | Srikanta Acharya | D Major | 2 | 10B | 92 BPM | ||
Ami Cheye Cheye Dekhi | Shyamal Mitra | D Major | 3 | 10B | 121 BPM | ||
Tumi Ki Keboli Chhobi | Srikanta Acharya | A♭ Major | 2 | 4B | 86 BPM |
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