"Requiem, Op. 89, B. 165 / Part 1: 1. Requiem Aeternam" by Antonín Dvořák, Ailyn Pérez, Christianne Stotijn, Michael Spyres, Jan Martiník, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jakub Hrůša was released on March 20, 2020. Requiem, Op. 89, B. 165 / Part 1: 1. Requiem Aeternam appears to be safe for all ages as it is not explicit. The song is number 1 out of 27 in Dvořák: Requiem, Biblical Songs, Te Deum by Antonín Dvořák, Czech Philharmonic, Jakub Hrůša, Jiří Bělohlávek, Prague Philharmonic Choir, Jan Martiník, Ailyn Pérez, Christianne Stotijn, Michael Spyres, Svatopluk Sem. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Requiem, Op. 89, B. 165 / Part 1: 1. Requiem Aeternam's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 89, B. 165 / Part 1: 1. Requiem Aeternam by Antonín Dvořák, Ailyn Pérez, Christianne Stotijn, Michael Spyres, Jan Martiník, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jakub Hrůša is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
String Quintet in A Minor, Op. 1, B. 7: II. Lento | Antonín Dvořák, Ladislav Kyselák, Vlach Quartet Prague | A Minor | 1 | 8A | 82 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American" (Arr. G. Braunstein for Flute Quartet): I. Allegro ma non troppo | Antonín Dvořák, Gili Schwarzman, Guy Braunstein, Amihai Grosz, Alisa Weilerstein | F Major | 1 | 7B | 112 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM |
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