"Gala Sequence" by Ljuba Welitsch, Herbert von Karajan, Wiener Philharmoniker was released on September 13, 2011. With Gala Sequence being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 34 in Die Fledermaus by Various Artists. Gala Sequence is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gala Sequence by Ljuba Welitsch, Herbert von Karajan, Wiener Philharmoniker is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 3. Wisst ihr, wann mein Kindchen am schonsten ist | Johannes Brahms, Ljuba Welitsch, Joseph P. Nelles | D Major | 2 | 10B | 80 BPM | ||
Valse de Chopin | Ljuba Welitsch, Paul Ulanowsky | F♯ Minor | 2 | 11A | 90 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
Lucia di Lammermoor, Act II: Il pallor, funesto, orrendo | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | E Minor | 2 | 9A | 114 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "D'immenso giubilo" (Chorus, Raimondo) | Gaetano Donizetti, Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Cavalleria rusticana: Part II: A voi tutti salute! (Alfio, Chorus, Turiddu, Lola, Women) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 1 | 8B | 61 BPM | ||
Salome, Op. 54, TrV 215: Scene 3: Niemals, Tochter Babylons (Jokanaan) | Richard Strauss, Ljuba Welitsch, Hans Hotter, Set Svanholm, Elisabeth Höngen, Brian Sullivan, Metropolitan Opera Orchestra, Fritz Reiner | G Major | 1 | 9B | 136 BPM | ||
Lucia di Lammermoor, Act II: Piange la madre estinta | Gaetano Donizetti, Stefano Antonucci, Zuzana Markova, Marcello Nardis, Mariano Buccino, Carlotta Vichi, Andrea Bocelli, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 5 | 10B | 78 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
Puts: The Hours, Act 1: "You Know What We’re Going to Do?" (Laura, Virginia, Richie, Clarissa) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM |
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