I've Been Waiting (feat. Maydie Myles) - The Back Door Rub Dub
K London Posse, Maydie Myles, Benji Candelario
I've Been Waiting (feat. Maydie Myles)
7:08 February 16, 1996
BPM
124
Key
C Major
Camelot
8B

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I've Been Waiting (feat. Maydie Myles) - The Back Door Rub Dub - K London Posse, Maydie Myles, Benji Candelario Information

Acousticness
0%
Danceability
88%
Energy
80%
Instrumentalness
10%
Liveness
15%
Loudness
91%
Speechiness
4%
Valence
76%
Popularity
Loudness
-5.562 dB

Summary

K London Posse, Maydie Myles, Benji Candelario made "I've Been Waiting (feat. Maydie Myles) - The Back Door Rub Dub" available on February 16, 1996. Since I've Been Waiting (feat. Maydie Myles) - The Back Door Rub Dub is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in K London Posse's "I've Been Waiting (feat. Maydie Myles)" album is number 3 out of 4. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, I've Been Waiting (feat. Maydie Myles) - The Back Door Rub Dub's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

I've Been Waiting (feat. Maydie Myles) - The Back Door Rub Dub BPM

We consider the tempo marking of I've Been Waiting (feat. Maydie Myles) - The Back Door Rub Dub by K London Posse, Maydie Myles, Benji Candelario to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

I've Been Waiting (feat. Maydie Myles) - The Back Door Rub Dub Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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ISRC
GBCPZ9515530
Label
L-M Records/RCA Records

Section: 0.6682510375976562

End: 0.6725666522979736