Newton Citadel Band made "The Battle Cry" available on March 21, 2011. The duration of The Battle Cry is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. The Battle Cry's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Red Shield (And Other Popular Salvation Army Marches)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from New Zealand. Based on our statistics, The Battle Cry's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Battle Cry by Newton Citadel Band having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nimrod | Swiss Army Brass Band & Andreas Spörri | D♭ Major | 1 | 3B | 99 BPM | ||
Вы сегодня улыбаетесь | Західноукраїнське об'єднання МСЦ ЄХБ | E♭ Major | 2 | 5B | 107 BPM | ||
Moonlight Serenade | The Cory Band | B♭ Major | 1 | 6B | 80 BPM | ||
A.R.C. Centennial March - Baritone Horn, Euphonium, Cimbasso & Tuba Multi-Track | German Dutch Tuba Collaboration, Daniel Ridder, Jorijn Van Hese | C Major | 0 | 8B | 105 BPM | ||
Orpheus in the Underworld, Act II Scene 2: Galop, "Can-Can" (Arr. for Brass Band by Pearce) | Jacques Offenbach, Black Dyke Mills Band, Major Peter Parkes | E Minor | 5 | 9A | 119 BPM | ||
Nearer, My God, To Thee | Badische Posaunenarbeit, Nordbadisches Blechbläserensemble | A♭ Major | 1 | 4B | 69 BPM | ||
Last Call | Otto M. Schwarz, Koninklijke Fanfare Kempenbloei Achel, Ivan Meylemans | F Minor | 6 | 4A | 112 BPM | ||
Pratelum | Door Vriendschap Sterk | A♭ Major | 2 | 4B | 133 BPM | ||
Armenian Dances, Part I - Recording at Fumon Hall, Tokyo, 1991 | Tokyo Kosei Wind Orchestra, Alfred Reed | B♭ Major | 1 | 6B | 82 BPM | ||
The Lost Chord | Grimethorpe Colliery UK Coal Band | F Major | 1 | 7B | 75 BPM |
Section: 0.526113748550415
End: 0.5306346416473389