Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth's 'Symphony No. 44 in E Minor, Hob.I:44, "Trauersinfonie" (Mourning): III. Adagio' came out on March 15, 1990. With this song being about 5 minutes long, at 4:35, "Symphony No. 44 in E Minor, Hob.I:44, "Trauersinfonie" (Mourning): III. Adagio" by Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth's "Haydn: Symphonies, Vol. 3 (Nos. 44, 88, 104)" album is number 3 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Symphony No. 44 in E Minor, Hob.I:44, "Trauersinfonie" (Mourning): III. Adagio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 44 in E Minor, Hob.I:44, "Trauersinfonie" (Mourning): III. Adagio by Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Trio No. 1 in C Major, Hob. IV:1: III. Finale. Vivace | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | C Major | 2 | 8B | 151 BPM | ||
String Quintet In C, D. 956: 4. Allegretto | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | G Major | 1 | 9B | 97 BPM | ||
String Quartet No.5 in E Flat Major, Hob.II:6 (Op.1 No.0): 3. Adagio | Franz Joseph Haydn, The Angeles String Quartet | B♭ Major | 1 | 6B | 114 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
String Quartet No. 4 in C Major, K. 157: II. Andante | Eder Quartet | C Minor | 0 | 5A | 98 BPM | ||
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: II. Poco adagio | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F♯ Minor | 0 | 11A | 131 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM |
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