"La Noche de los Mayas: 3. Noche de Yucatan (Andante espressivo)" by Silvestre Revueltas, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel was released on January 1, 2010. Since La Noche de los Mayas: 3. Noche de Yucatan (Andante espressivo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in "Rite" - Stravinsky: Le Sacre du printemps; Revueltas: La noche de los mayas, so we believe that "La Noche de los Mayas: 3. Noche de Yucatan (Andante espressivo)" is a single. La Noche de los Mayas: 3. Noche de Yucatan (Andante espressivo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Noche de los Mayas: 3. Noche de Yucatan (Andante espressivo) by Silvestre Revueltas, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 67 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Danzón No. 8, Homenaje a Maurice (feat. Orquesta Mexicana de las Artes) | Marquez | E Major | 2 | 12B | 131 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 4 | 3A | 109 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 65 BPM | ||
Cuadros de una exposición para orquesta: No. 2, El viejo castillo | Orquesta Filarmónica de Slavonia, Alberto Lizzio | A♭ Major | 0 | 4B | 69 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM |
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