"Fantasia No. 3 in D minor, K. 397" by Judith Falk was released on February 16, 2024. The duration of Fantasia No. 3 in D minor, K. 397 is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Fantasia No. 3 in D minor, K. 397's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Mozart: Fantasia No. 3 in D minor, K. 397 and no other songs are present in the album, we classify this track as a single. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Fantasia No. 3 in D minor, K. 397 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasia No. 3 in D minor, K. 397 by Judith Falk to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hahn: Le ruban dénoué: No. 2, Les soirs d'Albi | Reynaldo Hahn, Martin James Bartlett, Alexandre Tharaud | F♯ Major | 1 | 2B | 125 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
静かなこころ | Chair House | E♭ Major | 0 | 5B | 72 BPM | ||
Tenderness | Carlo Balzaretti | D♭ Minor | 1 | 12A | 68 BPM | ||
Variations on a Theme of Chopin, Op. 22: Theme in C Minor. Largo | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Richter: Taboo (Main Theme) | Dalal | B♭ Major | 0 | 6B | 111 BPM | ||
Haurren Irudiak: V. Txaeta | Beatriz Arzamendi, Noemí Teruel Serrano | C Minor | 1 | 5A | 109 BPM | ||
Etude No.18 | Philip Glass, Feico Deutekom | A Minor | 1 | 8A | 60 BPM | ||
Quiet | Sheavy | F Minor | 0 | 4A | 75 BPM | ||
Unravel | Christopher Child, Kodomo, Chris Child | D♭ Major | 3 | 3B | 136 BPM |
Section: 0.5338168144226074
End: 0.537926197052002