Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong made "Violin Sonata in F Major, K. 377: I. Allegro" available on June 23, 2023. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong's "Mozart: Sonatas for Piano & Violin" album is number 46 out of 92. On top of that, Germany appears to be the country where this track was created. The popularity of Violin Sonata in F Major, K. 377: I. Allegro is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Violin Sonata in F Major, K. 377: I. Allegro by Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM |
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