- BPM
- 118
- Key
- D Major
- Camelot
- 10B
Suite No. 5 in C Minor, BWV 1011 (Arr. for Piano by Thomas Jarry): II. Allemande - Johann Sebastian Bach, Thomas Jarry Information
- Acousticness
- 99%
- Danceability
- 43%
- Energy
- 23%
- Instrumentalness
- 91%
- Liveness
- 13%
- Loudness
- 70%
- Speechiness
- 3%
- Valence
- 80%
- Popularity
- 0%
- Loudness
- -18.222 dB
Summary
On May 3, 2024, the song "Suite No. 5 in C Minor, BWV 1011 (Arr. for Piano by Thomas Jarry): II. Allemande" was released by Johann Sebastian Bach, Thomas Jarry. Suite No. 5 in C Minor, BWV 1011 (Arr. for Piano by Thomas Jarry): II. Allemande is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Thomas Jarry's "J.S. Bach: Cello Suites (Arr. for Piano)" album is number 26 out of 36. On top of that, France appears to be the country where this track was created. In terms of popularity, Suite No. 5 in C Minor, BWV 1011 (Arr. for Piano by Thomas Jarry): II. Allemande is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Suite No. 5 in C Minor, BWV 1011 (Arr. for Piano by Thomas Jarry): II. Allemande BPM
We consider the tempo marking of Suite No. 5 in C Minor, BWV 1011 (Arr. for Piano by Thomas Jarry): II. Allemande by Johann Sebastian Bach, Thomas Jarry to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
Suite No. 5 in C Minor, BWV 1011 (Arr. for Piano by Thomas Jarry): II. Allemande Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No.3 In B, Op.9 No.3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | |
 | Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | A Major | 2 | 11B | 140 BPM | |
 | Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | |
 | Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | |
 | 6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | |
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | Concerto for two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Leila Schayegh, Anaïs Chen, Jörg Halubek, Il Gusto Barocco | D Minor | 1 | 7A | 104 BPM | |
 | Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | |
 | Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
- ISRC
- FROV62335226
- Label
- L-M Records/RCA Records
Section: 0.6752340793609619
End: 0.6785593032836914