"Gloria, laus et honor (Processional Hymn for Palm Sunday)" by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola was released on 1977. The duration of Gloria, laus et honor (Processional Hymn for Palm Sunday) is about 3 minutes long, at 3:16. Based on our data, "Gloria, laus et honor (Processional Hymn for Palm Sunday)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Traditional, Konrad Ruhland's "Konrad Ruhland Conducts Gregorian Chant" album is number 7 out of 63. Gloria, laus et honor (Processional Hymn for Palm Sunday) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gloria, laus et honor (Processional Hymn for Palm Sunday) by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM | ||
I Would Live in Your Love | Nathan Jones, Westminster Choir, Joe Miller | B♭ Major | 0 | 6B | 121 BPM | ||
Sanctus Benedictus | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Saltarello | Anonymous, Jessica Baran-Surel | D Minor | 5 | 7A | 130 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
Stella splendens | Anonymous, Jessica Baran-Surel | B♭ Major | 4 | 6B | 105 BPM | ||
Glorious Miracle | "Drevnerussky Rospev" Male Choir | B♭ Major | 0 | 6B | 107 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM |
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