Ton Koopman's 'Triosonate In Es-dur, Bwv 525: Allegro Moderato' came out on June 1, 1990. The duration of Triosonate In Es-dur, Bwv 525: Allegro Moderato is about 3 minutes long, at 3:14. Based on our data, "Triosonate In Es-dur, Bwv 525: Allegro Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ton Koopman's "Johann Sebastian Bach: Orgelwerke V" album is number 4 out of 17. Triosonate In Es-dur, Bwv 525: Allegro Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Triosonate In Es-dur, Bwv 525: Allegro Moderato by Ton Koopman to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Magnificat, RV 610: 8. Sicut locutus est | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | D♭ Minor | 1 | 12A | 74 BPM | ||
Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: I. Triste | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | D♭ Major | 2 | 3B | 117 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: III. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 1 | 3A | 110 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM |
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