Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra's 'Lutoslawski : Symphony No.3 : II Vivo - Stesso movimento' came out on March 1, 1993. With Lutoslawski : Symphony No.3 : II Vivo - Stesso movimento being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra's "Lutoslawsky : Concerto for Orchestra & Symphony No.3" album is number 5 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Lutoslawski : Symphony No.3 : II Vivo - Stesso movimento is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lutoslawski : Symphony No.3 : II Vivo - Stesso movimento by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto: III. Cantilena | Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Paul Watkins | D Major | 1 | 10B | 114 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Otto Klemperer, New Philharmonia Orchestra | D Major | 3 | 10B | 113 BPM | ||
Concerto for Viola and Orchestra: III. Allegro moderato | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | D Minor | 1 | 7A | 92 BPM | ||
Ravel: 2 Mélodies hébraïques, M. A 22: No. 2, L'énigme éternelle | Maurice Ravel, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester | B Minor | 0 | 10A | 79 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Chamber Symphony No. 1, Op. 9 - Arr. Anton Webern: Langsam | Arnold Schoenberg, Boston Symphony Chamber Players | A Major | 1 | 11B | 77 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM |
Section: 0.6248931884765625
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