Wolfgang Amadeus Mozart, Georges Pludermacher made "Mozart: Viennese Sonatina No. 6 in C Major: II. Menuetto (Arr. After Divertimentos for Woodwinds, K. Anh. 229)" available on January 1, 1996. The duration of Mozart: Viennese Sonatina No. 6 in C Major: II. Menuetto (Arr. After Divertimentos for Woodwinds, K. Anh. 229) is about 3 minutes long, at 3:20. Based on our data, "Mozart: Viennese Sonatina No. 6 in C Major: II. Menuetto (Arr. After Divertimentos for Woodwinds, K. Anh. 229)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Georges Pludermacher's "L'atelier des pianistes, vol. 2 : Moyen" album is number 13 out of 47. On top of that, France appears to be the country where this track was created. Mozart: Viennese Sonatina No. 6 in C Major: II. Menuetto (Arr. After Divertimentos for Woodwinds, K. Anh. 229) is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Mozart: Viennese Sonatina No. 6 in C Major: II. Menuetto (Arr. After Divertimentos for Woodwinds, K. Anh. 229) by Wolfgang Amadeus Mozart, Georges Pludermacher to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: II. Romance. Andante cantabile | Wolfgang Amadeus Mozart, Radovan Vlatkovic, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 84 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Rondo in A Major, KV 386 (Cadenzas by Ariel Lanyi) | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Howard Griffiths, Ariel Lanyi | A Major | 1 | 11B | 135 BPM | ||
Das Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881 | Johann Sebastian Bach, András Schiff | F Minor | 0 | 4A | 70 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM |
Section: 0.6267170906066895
End: 0.6306698322296143