Johann Sebastian Bach, Glenn Gould's 'The Art of the Fugue, BWV 1080: Contrapunctus II - Excerpts' came out on 1957. The duration of The Art of the Fugue, BWV 1080: Contrapunctus II - Excerpts is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. The Art of the Fugue, BWV 1080: Contrapunctus II - Excerpts's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 14 out of 90. On top of that, United States appears to be the country where this track was created. The Art of the Fugue, BWV 1080: Contrapunctus II - Excerpts is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Art of the Fugue, BWV 1080: Contrapunctus II - Excerpts by Johann Sebastian Bach, Glenn Gould to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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